Search by Pantone code, name or hex. Get the HEX, RGB and CMYK conversion in one click. Copy any value to clipboard. Built by the team at Digital Polo for designers, printers and brand teams who need a fast lookup without opening Photoshop.
Red
#C8102Ergb(200, 16, 46)C0 M92 Y76 K22CMYK values are approximate process-print conversions. For colour-critical print work, source values from a current Pantone bridge guide and confirm with your printer.
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Type any Pantone code (PMS 186 C), name (Coca-Cola Red), or hex (#FF4F01). The tool filters the swatch library as you type.
Click any swatch to see its HEX, RGB and CMYK values alongside a colour preview at full size.
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Pantone is a library of pre-mixed spot inks — each colour is a specific physical ink formula. Pantone produces highly consistent colour across print runs and substrates because the printer is laying down the exact ink, not approximating it with process colours.
CMYK is the four-ink process used in most commercial printing — cyan, magenta, yellow and black laid down as percentages to approximate any colour. CMYK is cheaper per print job because the same four inks produce the full gamut, but the gamut itself is meaningfully smaller than Pantone's. Vivid greens, electric blues and saturated oranges often shift to duller approximations when converted from Pantone to CMYK.
The values shown in this tool are approximations. They reflect standard published process-equivalents and will reproduce close to the original but never identically. For colour-critical work, source values from a current Pantone Color Bridge guide, confirm with your printer's ICC profile, and soft-proof in your design software before signing off a press proof.
For the full primer on why CMYK and RGB shift, the conversion gotchas that ruin print runs, and how to design colour-mode-aware files from the start, read our CMYK vs RGB Explained guide. For the broader relationship between brand colour and identity, see Colour Theory for Brand Design.
A Pantone to CMYK converter takes a Pantone spot-colour reference (PMS code) and returns the closest CMYK process-print approximation, alongside HEX and RGB values for screen use. Designers use it when converting brand-colour specs into print-ready files where CMYK is the production colour mode.
No — they are approximations. Pantone spot inks are physical pre-mixed inks and the full Pantone gamut is wider than the CMYK process gamut. The CMYK values shown are the standard published process-equivalents and will reproduce close to the original but never identically. For colour-critical print work, source the current Pantone Color Bridge guide values and confirm with your printer.
Pantone is a library of pre-mixed spot inks — each colour is a specific physical ink formula (e.g. Pantone 186 C). CMYK is a four-ink process that mixes percentages of cyan, magenta, yellow and black to approximate any colour. Pantone produces more consistent colour across print runs and substrates but costs more per print job because each Pantone colour requires its own plate. See our CMYK vs RGB explainer for the full breakdown.
Because the CMYK gamut is smaller than the RGB or Pantone gamut. Vivid greens, deep blues and bright oranges that sit outside the CMYK gamut shift to the closest in-gamut approximation, usually appearing duller. The fix is either to design in CMYK from the start when print is the goal, or to specify a Pantone spot colour for brand-critical hues and let the printer mix the spot ink directly.
PMS C refers to Pantone Matching System swatches on Coated paper (the 'C' suffix). Pantone publishes the same colour numbers on three different paper stocks: Coated (C), Uncoated (U) and Matte (M). The same Pantone number can appear noticeably different on each stock because the paper changes how the ink reflects light. Always specify the suffix when sending Pantone references to a printer.
Use the tool for design exploration, mockups, client previews and rough conversion. For production print, source values from a current Pantone Color Bridge or Pantone Plus Series guide and confirm with your printer. Different printers may use slightly different ICC profiles which affect the final result. Brand-critical colour should always be soft-proofed in your design software and signed off on a press proof before a full print run.
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